Interview with Markus Popp – Goethe Institute, Sydney, Nov 14

Markus Popp in interview 

Date/Time: November 14, 2013. 5.30pm
Address: Goethe-Institut Australien, 90 Ocean Street, Woollahra
Entry: Free

I am interviewing Markus Popp  aka Oval this evening following his performance at the Goethe Institute in Sydney

Popp, who lives and works in Berlin, took some time between his last release under the moniker SO and the “Oh” EP because he wanted the new material to be a radical departure from his old concepts and methods on all levels, to essentially be a second “debut” album. For “O” Popp’s creative process shares nothing with his creative process for prior Oval albums. Previously, Popp focused on the creation of the programs that would process sound and effectively create the music. As a musician, Popp’s process was more theoretical in nature. Creating the platform and knowing what that platform could and should do to the sound sources. He selected the sound sources and then turned it over to the platform. For ”O”, Popp uses an instrument that is very common, a stock PC outfitted with stock sounds and plugins. He no longer uses or creates a custom platform, but instead utilizes a readily available instrument. What he has done with this instrument highlights Popp’s, perhaps for the first time, musicianship. Popp spent years woodshedding with his instrument and worked diligently to push the instrument beyond its normal sonic boundaries.

 

 

Vivid Digital Workshop. Museum of Contemporary Art Australia

Here are a few snaps of the recent Macrophonics digital workshop for Vivid Sydney at the Museum of Contemporary Art in Sydney. Donna Hewitt and I delivered a 3 hour presentation/workshop on approaches to gesture controlled audio and video.

Museum of Contemporary Art Australia
Museum of Contemporary Art Australia

The workshop introduced participants to the Arduino platform and various approaches to designing gestural sensing systems. Below you can see our most recent wearable interface prototype (built as part of our ongoing creative R&D with Legs on the Wall) which has been extended to include a glove based interface in addition to flex and accelerometer sensors.

Wearable prototype #2 and josystick
Wearable prototype #2 and joystick

The second prototype has been designed so that it can be retrofitted to different performers of different sizes. Donna has used a neoprene and velcro system to mount sensors and provided a means to replace or change sensors via locking connectors for each sensor. The workshop also provided an opportunity to give an overview of the Max/Jitter patching environment and how gestural data was mapped in the process of achieving successful and engaging creative outcomes.

Donna Hewitt showing wearable prototype #1
Donna Hewitt showing wearable prototype #1

The workshop participants had a broad range of prior knowledge (from little, to quite a lot), but all seemed to get a lot out of the workshop process. And besides… it’s such a lovely building.

Vivid Ideas talk: The Making of the Future of Performance

Vivid Sydney. Museum of Contemporary Art Australia
Vivid Sydney. Museum of Contemporary Art Australia

VIVID SYDNEY

Vivid Ideas: The Making of the Future of Performance

Speakers: Patrick Nolan, Julian Knowles, Donna Hewitt, Timothy Ohl

Museum of Contemporary Art, Australia

6 June. 9:00 pm – 10:00 pm

Tickets:

General – $20.00
Industry – $15.00
Student/Educator – $10.00

 

Donna Hewitt - Macrophonics
Donna Hewitt – Macrophonics

In late 2012 the artist collective Macrophonics visited internationally-recognised physical theatre company, Legs On The Wall, to experiment with sensor-based technology and how it can be adapted specifically for live performances. What emerged was a tool for creating live art, one that uses both the body of a performer and the space they move through. Now Macrophonics and Legs On The Wall offer audiences a glimpse into what comes next – the creation of a new work that transforms the dancer into the conductor, the musician into the actor, and the stage into the interface.

This presentation will feature Professor Julian Knowles of Macquarie University’s Department of Media, Music, Communication and Cultural Studies and Patrick Nolan, Artistic Director of Legs On The Wall, and a demonstration of the Macrophonic’s technology with performer Tim Ohl.

THE MAKING OF…

 In a series of fast-paced, one-hour tag-team sessions, creative teams from the worlds of television, gaming, music, and animation take us behind-the-scenes to introduce us to the people and processes that make huge creative projects a reality.

 These sessions explore strategies for making international real-time collaborations work, find out what tools are essential for co-ordinating multi-part projects, and meet some of the world’s most interesting companies and creatives.

 http://www.vividsydney.com/events/the-making-of-the-future-of-performance/

 

Radio Interview with Julian Knowles – 2SER Sydney, Australia (from 17:20 onwards)

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